‘Greece could be a movie destination’

Aaron Ryder is confident in the future of cinema. ‘Why couldn’t I? This is all I know, ”says the American producer.

Friendly, cool, and with a great sense of humor, Aaron Ryder, who has worked with the likes of Christopher Nolan and Denis Villeneuve and is one of Hollywood’s most successful producers today, immediately puts you at ease.

Cattimerini met him on Costa Navarino, where he was an advisor at the Oxbury International Film Workshop at the exclusive resort of Messinia in the southwestern Peloponnese.

“I’ve never done anything like this before. It would probably destroy me,” he says, laughing and continuing to comment on his experience reaching out to a new generation.

“Throughout my career, I was always the youngest in the room. One day, I realized that changed. We were about the same age and it was a really great experience.You could feel the freshness and originality of this new generation.It was fascinating.The bad thing is that when you get older than 20 years, they don’t give you advice or permission. I just come to you for ,” says Ryder, now in his early 50s.

Our surroundings immediately bring us to the subject of Greece as an industrial destination. The country has made great strides in the last few years. “I am more and more convinced that Greece can be a destination for cinema. In fact, there is a large $100 million project I would like to introduce here. Economic incentives in Greece are very attractive now. However, the climate is much milder than in Hungary.

“We must also bear in mind that there are places in Europe, like Serbia, where people are hesitant to work because of Russia’s stance on aggression against Ukraine,” Ryder added.

I am more and more convinced that Greece can be a movie destination. In fact, there is a large $100 million project I would like to introduce here.

But location is often the key to a film’s success. As was the case with the 2012 self-produced film Mad, this is not only a gem, but it reintroduced moviegoers to the incredible talents of Matthew McConaughey. “It’s one of the few films I’ve shot of him that was shot exactly where it needed to be shot,” he says of “Mad.” “It’s located in Arkansas, near where director Jeff Nichols grew up, and it was ideal for the atmosphere we wanted to convey with the stories we wanted to tell.”

Thanks to his significant experience and know-how, including producing other critically acclaimed hits such as “Memento,” “The Prestige,” and “Arrival,” Ryder is credited with a series of other significant productions, including: It also provides insight into industry issues. For example, the recent slump experienced by Netflix and other streaming his platforms.

“It’s probably temporary. For those of us following what Netflix has been doing for the last decade, it seemed inevitable. Anyone who wanted Netflix had But I’ve come to ask myself, “Do I really need it?” Unfortunately, the rest of the players followed suit and ended up ruining our ecosystem. Theater attendance continued to grow before the pandemic, but in the meantime a group of companies had the opportunity to launch their own platform, and that changed everything. ”

When I point out that this is likely an inevitable development accelerated by the pandemic, he disagrees. But the truth is that you never know what will happen in the film industry ten years from now.Do you think the VCR market was depressed? I’m not sure,” he says.

His response was similar, similar to when he mentioned the theory that in the future blockbusters and a few art films will hit theaters, and everything else will end up on streaming platforms. “It seems like we’re trying to predict the future, but unfortunately it can be a self-fulfilling prophecy,” he warns.

“However, it is our responsibility to find ways to make movies that people want to see in theaters. No star cast, no clear plot, but it’s a great modern movie, so it did very well in theaters. Reminding people that life is okay if you only do one thing in two hours is needed. Overall, I am optimistic about the future. And how come I couldn’t? That’s all I know,’ jokes Ryder.

As a producer, Ryder’s biggest concern right now is getting his latest project finished in time for the Venice Film Festival. He also has a history of iconic events.

“Venice became my favorite festival when I went with Nolan’s Memento. It ended up in Venice and even the Italian distributor decided it was bad, he actually said that the Italian audience could be tough so we had to be prepared. What I remember from the premiere is when the movie started I put my hand on my wife’s lap and when I took it off at the end there was a profuse pool of sweat. I gave a standing ovation that lasted for a minute.I was 27 at the time and all I could do was cry,” he recalls.

That wasn’t the case with the Oscar-winning “Arrival.” “Except for the studio that shot it,” says Ryder, everyone loved it from the beginning. The former wants the film to be very specific and exactly what they have in mind, but the studio wants it to appeal to the widest possible audience. Most of the time the balance is just right, and that’s the magic of good commercial cinema.”

Greece can be a movie destination0
Among other things, Ryder produced Denis Villeneuve’s ‘Arrival’ and Jeff Nichols’ ‘Mud’. ‘Greece could be a movie destination’

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